Consent Tickets

brilliant play , well cast , well acted , sensitively handled a difficult subject , and appropriate humour .

I really enjoyed the play, because we changed seats once it started. one of the seats the view was very limited the other wasn't both cost the same this didn't seem right.

Brillant ,clever and funny play that keep you thinking and questioning on difficult subjects : truth, lies, interpretations, pain, revanche, justice . Fantastic performances ! I really enjoyed it .

This is an extraordinary piece of writing - my first experience of Nina Raine's work and I was blown away! Superb direction - emotionally real performances by all the actors - crisp and ingenious scene changes. The serious plot lines were injected with humour, rawness and poignancy - beautifully balanced. I would say that this is a play which MUST be seen.

Really enjoyed Consent for the second time, came down from Manchester (worth the journey, thought provoking stuff..

Extremely thought provoking and powerful. Well acted and entertaining. Left theatre with all kinds of thoughts buzzing around my head which in my book means a good visit to the West End!

Very raw, real and relatable. The actors were excellent and really portrayed a whole spectrum of emotions in a very believable way. Many of the situations brought back memories from my own life. Very enjoyable!

Good play, awful seat. Absolutely impossible to sit as the leg room was insufficient

A very interesting play about an equally challenging subject; however, i'm not sure it required the constant use of such bad language.

comfortable theatre and seats. helpful staff. The theme was excellent. Acting was fairly mediocre. some good one liners. The over use of 'f' word completely spoiled the enjoyment.Found that to be quite an insult to the intelligence of the audience.That was serious poverty of language. Sarla

Powerful story, very relevant for our times. Well acted although some of the female voices did not carry very well and it was difficult to hear them.

Very emotionally charged, great plot development and sub texts